Draft-level revision and craft guidance
The Draft Feedback program offers writers the chance to receive personalized, rigorous, and thoughtful feedback from one of GrubStreet’s expert creative writing instructors. Within two weeks of receiving your draft, your instructor will share the kind of feedback usually reserved for advanced workshops: craft-driven, in-depth, and focused on helping your piece move forward.
You’ll receive a detailed editorial letter that identifies what’s working in your draft, names the piece’s strengths, and offers clear, actionable suggestions for revision. In addition to this letter, your instructor will engage directly with your language through thoughtful in-line edits, responding at the sentence level and flagging moments of particular resonance, confusion, or opportunity.
Writers often use this program when they’re:
Revising a draft they’ve already workshopped and need next-step guidance
Preparing a piece for submission, publication, or the Agent and Editor Manuscript Mart
Feeling stuck and wanting an expert reader to help clarify what the work wants to be
You may also request publishing advice, suggestions for further reading, and generative prompts designed to help you deepen or reimagine the piece. Optional 30-minute video consultations are available for writers who want to talk through feedback in real time, ask follow-up questions, or strategize revision plans.
How It Works
Browse our participating instructors and decide who you’d like to work with.
Visit our Payment Page to select the number of pages (up to 10, 15, or 20 pages) you’d like feedback on and complete checkout.
After checkout, you’ll receive access to a form where you can upload your work, share your goals, and select your instructor.
Your instructor will be notified of your project, and we’ll let you know when they begin working on it (within 48 business hours of receipt).
Within two weeks or less, you’ll receive your written feedback. If you’ve added a video consultation, your instructor will contact you directly to schedule your meeting.
What You Send Us
You’ll upload your manuscript as a Word document, double-spaced in 12-point font. If your formatting is off, we’ll adjust it for you — but feedback will be limited to the number of double-spaced pages you’ve purchased.
You’ll also be asked to share a brief note addressing:
Your primary concerns about the piece
What you’re hoping to better understand or clarify
Any context that would help your instructor engage more deeply with the work
Finally, you’ll have the option to request specific elements in your feedback, such as publishing advice, generative prompts, or further reading.
What We Send You
In two weeks or less, you’ll receive:
A one-page, single-spaced feedback letter, in the spirit of an advanced workshop, offering focused, high-level editorial guidance
Responses tailored to your most pressing questions and hopes for the piece
In-line edits on your manuscript that respond directly to your craft choices
Together, these materials are designed to help you see your work more clearly, and take confident, informed steps toward revision.
Participating Instructors
Lauren Artiles
Genres: Short Fiction | Novel | Sci-Fi/Speculative Fiction
Lauren Artiles (she/they) is the Director of Community Engagement and Events. In this role, she supervises GrubStreet's events, Manuscript Mart and Manuscript Month, Intensive alumni and membership programming, and partner initiatives; and works to cultivate a warm, welcoming third place where every writer feels at home and empowered at each stage of their artistic journey. Lauren teaches and writes short fiction. She received an MFA in Writing from CalArts and is an alum of GrubStreet's Short Story Incubator program. Lauren's writing has been supported by a Vermont Studio Center Fellowship. Outside of work, her greatest pleasures include reading freaky little novellas, cooking elaborate meals for loved ones, watching horror movies, and tending to both her real garden and her garden of carefully curated playlists.
Yu-Mei Balasingamchow
Genres: Short Fiction | Novel
Yu-Mei Balasingamchow is the author of the novel, Names Have Been Changed, which will be published by Tiny Reparations Books on June 23, 2026. Her short fiction has received a Pushcart Prize Special Mention, won the Mississippi Review Fiction Prize, and been shortlisted for the Sewanee Review Fiction Contest and the Commonwealth Short Story Prize. She is also the co-author of the nonfiction title, Singapore: A Biography, and the editor of two anthologies of fiction by writers from Singapore. She has an MFA in Creative Writing from Boston University and has received grants and fellowships from the Ucross Foundation, Massachusetts Cultural Council, Elizabeth George Foundation, Sewanee Writers Conference, Ragdale Foundation and Vermont Studio Center. Originally from Singapore, she lives in Boston.
Monica Benevides
Genres: Novel | Short Fiction | Memoir | Essay | General Creative Nonfiction | Mystery/Thriller Fiction
Monica Benevides (née Busch) is an award-winning writer and editor based in Massachusetts.She founded and edits the literary magazine Talk Vomit and teaches undergraduate writing courses. Previously, she was a senior staff writer at the Worcester Business Journal. Her freelance work appears in places like Bitch, Man Repeller, and the Columbia Journalism Review. She holds an MFA in nonfiction writing from Columbia University.
Jennifer Crystal
Genres: Memoir | Essay | General Creative Nonfiction | Poetry
Jennifer Crystal runs the Writing to Heal Immersive Program at GrubStreet. She specializes in non-fiction, especially writing to heal/narrative medicine, travel writing, memoir, personal essays, and op-eds. Her memoir One Tick Stopped the Clock, was published by Legacy Book Press in September 2024 and her memoir Et Voilà: One Traveler's Journey from Foreigner to Francophile was published by Belfort and Bastion in 2015. Jennifer's work has appeared in Aeon's Psyche, The Boston Globe, wbur.org, poetryandcovid.com, Transitions Abroad, Abroad View, Spry Literary Journal, Harvard Health Blog, and many other publications. She writes a weekly column for Global Lyme Alliance, which has received mention in CQ Researcher, The New Yorker and weatherchannel.com. She holds an M.F.A. from Emerson College and a B.A. from Middlebury College and has completed a workshop in narrative medicine at Columbia University and a summer of study at the Bread Loaf School of English.
Nora Corrigan
Genres: Short Fiction | Memoir | Essay | General Creative Nonfiction | Mystery/Thriller Fiction | Sci-Fi/Speculative Fiction
Kayla Degala-Paraíso
Genres: Novel | Short Fiction | Memoir | Essay | General Creative Nonfiction | Essay | Sci-Fi/Speculative Fiction
Ethan Gilsdorf
Genres: General Creative Nonfiction | Memoir
Tatiana Johnson-Boria
Genres: Memoir | Essay | General Creative Nonfiction | Poetry
Tatiana Johnson-Boria (she/her) is the author of Nocturne in Joy (2023), winner of the 2024 Julia Ward Howe Book Prize in Poetry. As an educator, artist, facilitator, and mother, she uses her writing practice to dismantle racism, reckon with trauma, cultivate healing, and explore the complex magic of mothering. She has received fellowships and awards from Tin House, the Massachusetts Cultural Council, MacDowell, the Brother Thomas Fellowship, and St. Botolph Club Foundation, among others. Tatiana teaches at GrubStreet and has been on faculty at Emerson College, among other institutions. Her work appears or is forthcoming in The Academy of American Poets, Ploughshares, Kenyon Review Online, and more. She is represented by Lauren Scovel at Laura Gross Literary.
Meghan Lamb
Genres: Novel | Short Fiction | Essay | General Creative Nonfiction | Memoir | Sci-Fi/Speculative Fiction | Mystery/Thriller Fiction
Meghan Lamb is the author of Failure to Thrive (Apocalypse Party, 2021), All of Your Most Private Places (Spork Press, 2019) and Silk Flowers (Birds of Lace, 2017). She has taught writing courses at Eötvös Loránd University, the University of Chicago, Interlochen Center for the Arts, and Washington University in St. Louis, and she served as the 2018 Philip Roth Writer in Residence at Bucknell University. Her work has appeared in Quarterly West, DIAGRAM, Redivider, Passages North, The Rumpus, and The Collagist, among other publications. She is currently the Nonfiction Editor of Nat. Brut, a journal of art and literature dedicated to advancing inclusivity in all creative fields.
K.W. Onley
Genres: Short Fiction | Sci-Fi/Speculative Fiction
A.J. Rodriguez
Genres: Novel | Short Fiction | Memoir | Essay | General Creative Nonfiction | Sci-Fi/Speculative Fiction
Elizabeth Santiago
Genres: Novel | YA/MG Fiction | Romance Fiction
Angela Siew
Genres: Poetry
Caroline Stewart
Genres: Short Fiction | Novel | Romance Fiction | Sci-Fi/Speculative Fiction
Caroline Belle Stewart's stories can be found in Gulf Coast, Denver Quarterly, Fairy Tale Review, Black Warrior Review, Quarterly West, No Tokens, and elsewhere. A teacher, organizer, and birdwatcher, Caroline is a recipient of fellowships from Monson Arts and MacDowell, and lives in Western MA.
Tim Weed
Genres: Novel | Short Fiction | Memoir | Essay | General Creative Nonfiction | Romance Fiction | Sci-Fi/Speculative Fiction | YA/MG Fiction | Mystery/Thriller Fiction
Carolyn Zaikowski
Genres: Novel | Short Fiction | Memoir | Essay | General Creative Nonfiction | Poetry