ARCHIVE FOR Katrin Schumann

By Katrin Schumann

I sat down to write this post and have now written four openings and ditched them all.

What do writers need to hear in times like this? How can I be helpful to others when that which binds us--our obsessive love of words, books, writing--is overshadowed so universally by our fear of the unknown? 

Do I tell you how to make lemons out of lemondade?* Do I reveal that I'm writing page after page despite the uncertainty and boredom

By Katrin Schumann

Today, March 4, is the official Boston launch of my second novel, This Terrible Beauty. It's a momentous occasion for me for many reasons, not least of which is that I feel proud of finding what I think is the right balance between fact and fiction.

What I mean is, I had so, so, SO much material for this book

By Katrin Schumann

How long does it really take to write a book? From beginning the first draft to seeing it on bookshelves? It's generally accepted that more books = more success/ happiness. But what does being "productive" really mean, and does it make you happy as a writer? 

I used to think the solution to almost all writerly problems lay in having more time—a comforting thought since I had so very little of that particular commodity. Simple, I thought: when I have more time, I'll do more writing, and I'll be happy and productive.

On some level ...

Last year, I didn't make any New Year's resolutions. Frankly, I was tired of pushing myself so hard, and I thought: hey, how about I just try my best this year? It felt like a gentle enough goal given that I had just started a new job and my first novel was about to be published. While I knew quite a bit about what was ahead (I'd published nonfiction before), I had very little idea about whether the outcome for this book would be good, bad or indifferent, and how I would end up feeling about it all

The first time you publish a book, it’s a pretty surreal experience. First you wallow deliciously in the dreams and hopes that have built up inside you for years. Eventually, you learn to deal with the inflated expectations that breathless articles about the writing life have created in you. And then, when you make a sale, you have to wade through a lot of conflicting information: reconciling what your publisher promises with the sometimes demoralizing advice you get from other first-time authors (who often just don’t seem quite as happy as you think they should be).

With an eye to ...