ARCHIVE FOR Henriette Lazaridis

Sound Quality: Henriette Lazaridis on Erica Ferencik's The River At Night

We've all had that moment as readers when we stumble across a sentence in a novel or essay that sings to us from the page. There are sentences we want to wrap our tongues around, that we speak aloud just to revel in their aural qualities. For each installment of this series, Henriette Lazaridis chooses a single sentence from a work of literature and shows us why it is music to our ears.

This month's installment comes from Erica Ferencik's novel The River At Night.

October 25, 2017 | Henriette Lazaridis

Craft Advice

Sound Quality: Henriette Lazaridis on Jessie Chaffee's Florence in Ecstasy

We've all had that moment as readers when we stumble across a sentence in a novel or essay that sings to us from the page. There are sentences we want to wrap our tongues around, that we speak aloud just to revel in their aural qualities. For each installment of this series, Henriette Lazaridis chooses a single sentence from a work of literature and shows us why it is music to our ears.

This month's installment comes from Jessie Chaffee's novel Florence in Ecstasy.

September 29, 2017 | Henriette Lazaridis

Craft Advice

Sound Quality: Henriette Lazaridis on Andrew Sean Greer's LESS

We've all had that moment as readers when we stumble across a sentence in a novel or essay that sings to us from the page. There are sentences we want to wrap our tongues around, that we speak aloud just to revel in their aural qualities. For each installment of this series, Henriette Lazaridis chooses a single sentence from a work of literature and shows us why it is music to our ears.

August 23, 2017 | Henriette Lazaridis

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Sound Quality: Henriette Lazaridis on Helen Simonson's The Summer Before the War

We've all had that moment as readers when we stumble across a sentence in a novel or essay that sings to us from the page. There are sentences we want to wrap our tongues around, that we speak aloud just to revel in their aural qualities. For each installment of this series, Henriette Lazaridis chooses a single sentence from a work of literature and shows us why it is music to our ears.

This month's installment focuses on a sentence for its voice and approach, rather than its sound

July 26, 2017 | Henriette Lazaridis

Craft Advice

Sound Quality: Henriette Lazaridis on Rosa Liksom's Compartment No. 6

We've all had that moment as readers when we stumble across a sentence in a novel or essay that sings to us from the page. There are sentences we want to wrap our tongues around, that we speak aloud just to revel in their aural qualities. For each installment of this series, Henriette Lazaridis chooses a single sentence from a work of literature and shows us why it is music to our ears.

This month's installment focuses on the English language translation of Rosa Liksom's Finnish novel Compartment No

June 28, 2017 | Henriette Lazaridis