Class Description
Whether your model is Carver or Coover, Kafka or Krantz, your voice and narratives are unique. That doesn't mean you don't have to revise. Fiction II is designed to give intermediate writers, more experienced writers, and those with workshop experience the intensive review and analysis they need to make their stories deeper and sharper. Classes are primarily focused on discussion of student work but may also include writing exercises, instruction on craft issues that arise in participants' writing, and discussion of published stories, including work by such authors as:
Chimamanda Adichie
Roberto Bolano
John Cheever
Edwige Danticat
Mavis Gallant
Ha Jin
Edward P. Jones
Jhumpa Lahiri
Yiyun Li
Daniyal Mueenuddin
V. S. Naipaul
William Trevor
In addition to the class's comments, you will get in-depth written feedback from the instructor. The goal is to write and revise two short stories, up to 25 pages each. While novelists may find the creation of self-contained narratives useful, workshopping novel chapters is discouraged.
NOTE: No class on July 4th.
Did you know that we have scholarships available for all GrubStreet classes? To apply, click the "APPLY FOR SCHOLARSHIP" button in the top right corner of this page.
Thanks to the excellent literary citizenship of our donors, scholarships are available for all GrubStreet classes. To apply, click the gray "APPLY FOR SCHOLARSHIP" button. In order to be considered for a scholarship, you must complete your application at least one week before the start date of a class. Please await our scholarship committee's decision before registering for the class. We cannot hold spots in classes, so the sooner you apply, the better. Scholarships cannot be applied retroactively.
For more detailed information about GrubStreet scholarships, including how to contribute to scholarship funds for other students, click here.
This class will take place using Zoom videoconferencing. After registering, a yellow Resources tab will appear in this section containing a link to join class. Please note that you will need to be logged into view the Resources tab.
Zoom Participation:
In our experience, the intimate nature of a writing workshop benefits from on-camera participation. Students are of course welcome to turn their camera off whenever they need to, but it is a community norm for cameras to be on most of the time. You can learn more about using Zoom here.
Zoom Accessibility:
You can enable closed captioning at any time during the meeting by clicking the CC button at the bottom of the screen. If you'd like to access the transcript after class, please make sure to let your instructor ahead of time that you'd like a copy.