Grants and Residencies for Writing Parents/Parenting Writers

 

GrubStreet Instructor, marketing consultant, writer, and mother of two, Allison Pottern Hoch knows how important support can be to fostering a creative life. She’ll be covering this topic and more in her class Writing Like a Parent, Parenting Like a Writer on July 20th, but until then read on to learn more about grants, scholarships, residencies and more for writers who are parents.

Allison Hoch

Grub News The Writing Life

Rules for Writing Good Fiction

By Katrin Schumann

In the most recent New Yorker, Teddy Wayne wrote an article called “Eight Rules for Writing Fiction.” Wayne has written three novels (one which has been optioned by HBO) and Kirkus Reviews said of him: “A spectacular stylist, Wayne is deeply empathetic toward his characters, but—brutally and brilliantly—he refuses to either defend or excuse them.” 

Katrin Schumann

Books & Reading Craft Advice The Writing Life

How to Know When to Quit Your Novel

By Katrin Schumann

Last year, I was thinking a lot about this question as it relates to writing: When is it okay to give in and give up?

Why? Because in the months before publishers began showing interest in my novel, The Forgotten Hours, I had seriously been considering changing careers and giving up writing altogether. This was a huge deal for me since I basically can’t do anything else (at least not well, and with enthusiasm).

Katrin Schumann

Books & Reading Craft Advice The Writing Life

Think in Terms of Guidelines, Not Rules

There's a distinctly rebellious air about the Muse and the Marketplace Conference this year. Come April 6-8 at Boston's Park Plaza, #Muse18 presenters will be letting loose on the writing rules that have held our manuscripts hostage for far too long. To kick off the conversation ahead of the Muse weekend, this year's Muse series explores the writing, publishing, and workshop rules, conventions, and accepted norms that authors, agents, and editors at the Muse love to hateand why they'd love to see them broken. Some presenters will also offer their own rules or conventions that ...

Crystal King

Finding the Right Title

In the first creative writing class I ever took, we workshopped a peer’s story called, Tidal.

 

I wrote a long review of the piece describing its ebb and flow and how its two references to the sea served as a low-key motif for the stormy relationship between the two main characters.

 

It wasn’t until I referred to its title – Tidal – aloud in class that I caught onto the joke. I felt duped and thrilled at the same time.

Ben Berman

Craft Advice