This month at the Dead Darlings, we played a frightening game of WHAT IF(?) Here are some of our top nightmare scenarios and helpful hints to survive catastrophe.
What if someone publishes your idea before you?
Milo Todd saw a similar novel to his get to market first and lived to tell us about it.
August 11, 2017 | The Editors at Dead Darlings
Novel Incubator graduate and Grub Instructor Kelly J. Ford's searing debut novel, Cottonmouths, has just hit the shelves. After spending a feverish night inhaling this unputdownable story about love and meth in the rural South, GrubWrites Editor and fellow Novel Incubator alum Sarah Colwill-Brown couldn't wait to sit down with Kelly for a chat about the pains and pleasures of novel writing, navigating the publishing industry, and the scary prospect of writing about home. Cottonmouths follows Emily Skinner, a young college drop out forced to return home to small town Arkansas after losing her scholarship. Back under ...
August 10, 2017 | Sarah Colwill-Brown
By Katrin Schumann
This spring, a new writer—let’s call her Sharon—sent out dozens of queries for her novel and received zero response. Nothing, not even a single no thanks. She contacted me to ask if I could help with her query letter. Understandably, she thought there might be a secret to writing a query that would catch an agent's attention, and she'd missed it.
August 2, 2017 | Katrin Schumann
So you've written a novel; now what? In this series, debut author-to-be Crystal King describes the traditional publication process from start to finish: the lead-up, what to expect along the way, and how building her social media platform has made a difference. In this installment of "On the Path to Publication" Crystal talks about working on her second book in the wake of her debut novel, FEAST OF SORROW.
July 28, 2017 | Crystal King
We've all had that moment as readers when we stumble across a sentence in a novel or essay that sings to us from the page. There are sentences we want to wrap our tongues around, that we speak aloud just to revel in their aural qualities. For each installment of this series, Henriette Lazaridis chooses a single sentence from a work of literature and shows us why it is music to our ears.
This month's installment focuses on a sentence for its voice and approach, rather than its sound