We’re thrilled to introduce the 2022-2023 Teaching Fellows: Claudia Wilson and Nakia Hill. The Teaching Fellowship for Black Writers provides financial and professional development support to two self-identified Black writers interested in teaching classes, participating in events, and working with our instructors and staff to deepen our curriculum
Author and GrubStreet Instructor Kayleigh Shoen shares why fiction writers should draw on their real lives in their work. You can learn more in Kayleigh’s upcoming In-Person: Seaport class, Writing Fiction from Real Life, starting May 2nd.
For a long time when I was starting out as a writer, I shied away from writing about my real life. It felt risky to portray my friends and family in ways they might not like, or to dramatize situations that could reflect badly on me. And, the times when I did choose to include situations from my life, it …
By Katrin Schumann
You may have heard, these days many writers are waiting. Waiting to hear back from their overwhelmed agents. Waiting to hear from busy publishers. Waiting for Covid to really be OVER so they can do live book events again. Waiting for inspiration becuase they're exhausted by the last year and a half. Waiting because their release dates have been moved (again).
Writers attending conferences - like last week's The Muse & The Marketplace 2021 - tend to react to the experience in one of two ways: despair or elation.
Camp #1 is overwhelmed with information. Too much of the advice they absorbed seemed contradictory or overly complicated. They’re not sure they even like agents and editors anymore. And dammit, if all those other attendees are trying to get published, how do they stand a chance?
By Katrin Schumann
Today, March 4, is the official Boston launch of my second novel, This Terrible Beauty. It's a momentous occasion for me for many reasons, not least of which is that I feel proud of finding what I think is the right balance between fact and fiction.
What I mean is, I had so, so, SO much material for this book