Meet a Grubbie: Kenan Orhan

GrubStreet runs on coffee, printer ink, and community. This series features just some of the Grubbies who make our community strong. In this edition, meet Kenan Orhan, a recent graduate of the Short Story IncubatorKenan is a Turkish-American writer. His stories appear or are forthcoming in The Common, Massachusetts Review, McNeese Review, and others.

August 29, 2017 | GrubWrites

Meet a Grubbie

Take Your Stories From Good to Outstanding: Introducing the Short Story Incubator with Ron MacLean

In advance of our inaugural Short Story Incubator program, instructor Ron MacLean explains what fiction writers can get out of six-months intensive study, describes his ideal Incubator student, and lays out the program's "ruthless and joyous focus on taking stories from workshop good to publishable." 

June 28, 2016 | GrubWrites

Interviews The Workshop

What Makes a Good Workshop Citizen?

Writers often say that the workshop experience is crucial in developing their art. Creating a vibrant and productive workshop is not a matter of luck — there are things we can all do to be better workshop citizens. For this special edition of Sound Skeins, we asked a selection of the dedicated writers, authors, and instructors in our community what we should all be doing to ensure we become valuable, productive, and responsible members of any writing class

June 15, 2016 | Eson Kim

The Workshop

The Power of Scary Stories

Why am I drawn to scary stories? Because they're hard to write well, and challenge is always attractive to me. But also because fear is primal. Fear is part of who we are (or at least part of who I am), and I'm interested, more and more, in how people respond to what terrifies them. Psychological terror intrigues me most. I'm less interested in blood on the page than I am in perceived danger that might or might not be true

May 22, 2015 | Ron MacLean

Craft Advice

Unity of Opposites: A Storytelling Model

(Part 3 in an erratic series)

Structure is something many writers, especially short story writers, aren’t conscious of. If we are, most likely it’s in the form of the story curve – the classical approach to defining narrative structure – that’s been burned into our consciousness

For decades, the Fichtean curve almost exclusively defined the short story

April 24, 2015 | Ron MacLean

Craft Advice