The final stages before book publication involve copyediting (and then proofreading). It's your last chance to make changes before your writing goes public. What can you do at this stage to assure your book stays true to your unique vision and style?
Every soon-to-be published writer is nervous and excited about copyedits. Will they require rewriting of beloved text
"Dear Sugars" podcast host, New York Times columnist, bestselling author, and longtime grubbie Steve Almond fished himself from a pool of dread after the 2016 election by asking, What are the bad, fraudulent stories that got us here? The result was his latest work of nonfiction, Bad Stories: What the Hell Just Happened to Our Country? a book-length inquiry into the bad stories we tell ourselves as Americans and how we can use literature as a lens through which to understand what the hell happened in 2016. Earlier this year, Steve was on retreat at Wellspring House ...
By Katrin Schumann
I write a lot about writers’ insecurities because for 99.9 percent of us, fear lurks behind the brave faces we put on. Depending on where we are in our careers, we may all be afraid of different types of failures, but these deep-seated anxieties rarely go away completely.
Most artists learn to live with fear—and some learn to use it to drive toward better work. I might even dare to say that if you don’t experience doubt or fear, you should be worried. Overconfidence usually doesn’t serve writers well.
By Katrin Schumann
Media marketing experts agree that maintaining a robust newsletter is one of the best ways for an author to build a core audience--a group of people who will be more interested and committed to you and your work than, say, that stranger lurking on twitter or the random people liking your Instagram shots.
We’ve all heard the saying or seen the bumper sticker, “Make Art, Not War.” But when war is literally all around us, is it already too late? And by “war” I mean not only the military wars in Afghanistan and so many other geopolitical regions, but also war on the environment, immigrants, women, people of color, civil liberties—the list is long. What can our poems, short stories, or novels do in the face of such overwhelming political circumstances? In challenging times, should we be doing something more than making art?