Katrin Schumann explores what it's really like for authors in the months before launching a new book into the marketplace.
A book launch is a prolonged, and frankly rather strange, experience. You've already been working for what seems like ages (and sometimes is ages) on a manuscript. Eons pass as you prepare that manuscript for the reality of a commercial marketplace: editing, cover design, interior design, more editing, acknowledgements, nightmares about who you've forgotten to acknowledge, and diving into promotional activities. Your book--it's themes, characters, the whole point of it--seems far away now. It's become a product, one ...
Authors bristle at having to fit their books into neat boxes according to genre—yet the industry and readers continue to demand that we do so. Katrin Schumann explores why, and how best to find your genre.
Personally, I've found it quite challenging to figure out the genre of my novels. It seems overly simplistic to categorize my own work according to genres, and differentiating between them can be hard
Asking for endorsements from established writers for your upcoming book can be a cringe-worthy endeavor. Katrin Schumann looks at how to do it right.
Does it influence you when a writer you admire endorses a book you're considering buying? For most readers, seeing killer blurbs from known names can make the difference.
The final stages before book publication involve copyediting (and then proofreading). It's your last chance to make changes before your writing goes public. What can you do at this stage to assure your book stays true to your unique vision and style?
Every soon-to-be published writer is nervous and excited about copyedits. Will they require rewriting of beloved text
By Katrin Schumann
I write a lot about writers’ insecurities because for 99.9 percent of us, fear lurks behind the brave faces we put on. Depending on where we are in our careers, we may all be afraid of different types of failures, but these deep-seated anxieties rarely go away completely.
Most artists learn to live with fear—and some learn to use it to drive toward better work. I might even dare to say that if you don’t experience doubt or fear, you should be worried. Overconfidence usually doesn’t serve writers well.