Grants and Residencies for Writing Parents/Parenting Writers

 

GrubStreet Instructor, marketing consultant, writer, and mother of two, Allison Pottern Hoch knows how important support can be to fostering a creative life. She’ll be covering this topic and more in her class Writing Like a Parent, Parenting Like a Writer on July 20th, but until then read on to learn more about grants, scholarships, residencies and more for writers who are parents.

Allison Hoch

Grub News The Writing Life

Rules for Writing Good Fiction

By Katrin Schumann

In the most recent New Yorker, Teddy Wayne wrote an article called “Eight Rules for Writing Fiction.” Wayne has written three novels (one which has been optioned by HBO) and Kirkus Reviews said of him: “A spectacular stylist, Wayne is deeply empathetic toward his characters, but—brutally and brilliantly—he refuses to either defend or excuse them.” 

Katrin Schumann

Books & Reading Craft Advice The Writing Life

How to Know When to Quit Your Novel

By Katrin Schumann

Last year, I was thinking a lot about this question as it relates to writing: When is it okay to give in and give up?

Why? Because in the months before publishers began showing interest in my novel, The Forgotten Hours, I had seriously been considering changing careers and giving up writing altogether. This was a huge deal for me since I basically can’t do anything else (at least not well, and with enthusiasm).

Katrin Schumann

Books & Reading Craft Advice The Writing Life

February Top Picks: Opportunities for Writers

Check out our February 2019 edition of "Writing Life Essentials," a monthly hand-curated list of opportunities for writers. We do the research, so you have more time for what matters: the writing. Or, the eating the candies that will go on sale the day after Valentine’s Day. That matters, too.



Hannah Levinson

Grub News

Your #1 Secret Weapon: Writing Communities

Building a supportive network takes time and courage. Novelist Katrin Schumann argues that it’s worth starting to cultivate community early on, even if your instinct or your preference is to work alone. This post first appeared on JaneFriedman.com.

I’ve always found people who make movies to be awe-inspiring—in order to evoke a world and a story on screen, they need to work together with dozens of other professionals, from front-end people like actors and directors, to back-end people like sound editors

Katrin Schumann

Books & Reading Craft Advice The Writing Life