Authors bristle at having to fit their books into neat boxes according to genre—yet the industry and readers continue to demand that we do so. Katrin Schumann explores why, and how best to find your genre.
Personally, I've found it quite challenging to figure out the genre of my novels. It seems overly simplistic to categorize my own work according to genres, and differentiating between them can be hard
Katrin Schumann asks, what happens when, after a long time writing and editing, you once again find yourself at the beginning of an entirely new project?
Some of you have been writing for a long time, and you likely have a manuscript or two going already. You may be astonished by how long it's taking to get your writing to where you want it to be—and perhaps you're learning about the utterly transformative power of deep editing.
This month at DeadDarlings, we spoke to two graduates of the Novel Incubator program—Belle Brett and Stephanie Gayle. They told us all about their recently published novels and the craft lessons from class and life that they applied to their books.
Belle Brett’s debut novel, Gina in the Floating World follows twenty-something American expatriate Dorothy Falwell’s unplanned reinvention from bank intern to bar hostess in 1980’s Tokyo. According to Kirkus Review, “Brett’s engaging and compulsively readable debut traces one woman’s erotic coming-of-age in a frank, intelligent manner… A sharply observed and unforgettable debut.”
What drew you …
Asking for endorsements from established writers for your upcoming book can be a cringe-worthy endeavor. Katrin Schumann looks at how to do it right.
Does it influence you when a writer you admire endorses a book you're considering buying? For most readers, seeing killer blurbs from known names can make the difference.