This article was originally published on Dead Darlings.  

Michelle Hoover, Novel Incubator instructor and author of Bottomland, shares some of her tips to help get you back to your writing desks during this time and calm the nerves just enough to concentrate for an hour or two or more.

By Katrin Schumann

I sat down to write this post and have now written four openings and ditched them all.

What do writers need to hear in times like this? How can I be helpful to others when that which binds us--our obsessive love of words, books, writing--is overshadowed so universally by our fear of the unknown? 

Do I tell you how to make lemons out of lemondade?* Do I reveal that I'm writing page after page despite the uncertainty and boredom

By Katrin Schumann

Today, March 4, is the official Boston launch of my second novel, This Terrible Beauty. It's a momentous occasion for me for many reasons, not least of which is that I feel proud of finding what I think is the right balance between fact and fiction.

What I mean is, I had so, so, SO much material for this book

By Katrin Schumann

How long does it really take to write a book? From beginning the first draft to seeing it on bookshelves? It's generally accepted that more books = more success/ happiness. But what does being "productive" really mean, and does it make you happy as a writer? 

I used to think the solution to almost all writerly problems lay in having more time—a comforting thought since I had so very little of that particular commodity. Simple, I thought: when I have more time, I'll do more writing, and I'll be happy and productive.

On some level this is obviously true, but time …

In the past few years, I've done an enormous amount of editing. I work as a manuscript consultant and help other writers develop their books, and I've (almost completely) rewritten two novels. Here are some of the things I've learned about the editing process:

TOP FALSE ASSUMPTIONS EDITING CLIENTS MAKE

1. An editor will "fix" your manuscript. (An editor can help you fix it.)