GrubWrites

Announcing the Novel Immersive for LGBTQ+ Writers

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We're thrilled to announce GrubStreet's new Novel Immersive for LGBTQ+ Writers with instructor Milo Todd!

For LGBTQ+ writers, a lack of queer-focused guidance, support, and community in writing workshops can stifle or even stall progress for novels

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Grub News

What to Do After Attending a Writing Conference

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Writers attending conferences - like last week's The Muse & The Marketplace 2021 - tend to react to the experience in one of two ways: despair or elation.

 

Camp #1 is overwhelmed with information. Too much of the advice they absorbed seemed contradictory or overly complicated. They’re not sure they even like agents and editors anymore. And dammit, if all those other attendees are trying to get published, how do they stand a chance? 

Katrin Schumann

Books & Reading Craft Advice Grub News The Writing Life

Countdown to Muse 2021: Small Victories by Alex Espinoza

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The Muse and the Marketplace 2021 is almost here! This year's conference is taking the form of a virtual enhanced writing residency (taking place Wednesday, April 21st - Sunday, April 25th) with new Premium Workshops and the Manuscript Mart (taking place Wednesday, April 28th - Sunday, May 2nd).

 

This year's conference theme is "Small Victories." We all know what the "big" victories are (landing an agent, snagging a book deal, or getting a flashy award), but this year we aim to celebrate the equally important, tiny, and often unseen victories of our writing lives. In anticipation of the conference, …

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Time to Snag an Agent: Perfecting Your Pitch

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Author and GrubStreet instructor Katrin Schumann shares some tips and practical insight into how to present your work in the most compelling way possible for agents. You can learn more about this subject in Katrin's upcoming class "Time to Find an Agent: Perfecting Your Pitch" starting March 11th.

Katrin Schumann

Books & Reading Craft Advice The Writing Life

Can an Editor "Fix" Really Bad Writing?

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By Katrin Schumann

Editors often see projects at radially different stages of development. Truthfully, we sometimes see writing that is really, well, bad.

But does this mean it’s hopeless? When do you know if something is too "bad" to be worth fixing?

Of course, "bad" is a highly subjective term. Writing might seem "bad" to one reader, while another reader loves it

Katrin Schumann

Craft Advice New Writing The Writing Life