Writers attending conferences - like last week's The Muse & The Marketplace 2021 - tend to react to the experience in one of two ways: despair or elation.

 

Camp #1 is overwhelmed with information. Too much of the advice they absorbed seemed contradictory or overly complicated. They’re not sure they even like agents and editors anymore. And dammit, if all those other attendees are trying to get published, how do they stand a chance? 

By Katrin Schumann

Editors often see projects at radially different stages of development. Truthfully, we sometimes see writing that is really, well, bad.

But does this mean it’s hopeless? When do you know if something is too "bad" to be worth fixing?

Of course, "bad" is a highly subjective term. Writing might seem "bad" to one reader, while another reader loves it

By Katrin Schumann

I'm deep in the throes of writing a new book. My first novel The Forgotten Hours came out in 2019, and my second one, This Terrible Beauty (which I actually wrote first) was published a year later. I also have a novel-in-a-drawer... and a bunch of nonfiction books and collaborations.

I'm amazed by writers who stop reading in their genre while writing their own books. The majority of them seem to be worried about becoming overly influenced by the voice, themes and even plot of the book they're reading.

Personally, I can't imagine not reading fiction for the many years it takes me to complete a novel. And in terms of being influenced: I'm actively looking for inspiration and ideas. I want to be influenced.

By Katrin Schumann

Today, March 4, is the official Boston launch of my second novel, This Terrible Beauty. It's a momentous occasion for me for many reasons, not least of which is that I feel proud of finding what I think is the right balance between fact and fiction.

What I mean is, I had so, so, SO much material for this book