Last year, I didn't make any New Year's resolutions. Frankly, I was tired of pushing myself so hard, and I thought: hey, how about I just try my best this year? It felt like a gentle enough goal given that I had just started a new job and my first novel was about to be published. While I knew quite a bit about what was ahead (I'd published nonfiction before), I had very little idea about whether the outcome for this book would be good, bad or indifferent, and how I would end up feeling about it all
GrubStreet Instructor, marketing consultant, writer, and mother of two, Allison Pottern Hoch knows how important support can be to fostering a creative life. She’ll be covering this topic and more in her class Writing Like a Parent, Parenting Like a Writer on July 20th, but until then read on to learn more about grants, scholarships, residencies and more for writers who are parents.
What's launching your book really like?
By Katrin Schumann
Your first event is with a panel of authors in front of a crowd of 200 people. You buy new lipstick and pray your voice doesn’t quiver.
The alarm rings at 5am. The Uber doesn’t turn up. On the road late!
Within three days of your book launch, you catch a cold and lose your voice. It's so bad that you have to postpone your big radio interview.
When we think about launching our books, we dream of doing readings (among other things like catching sight of our books in airports, and, of course, getting on bestseller lists), but in this day and age why are readings still so important to us?
By Katrin Schumann
For a new author, are readings really all they're cracked up to be?
Building a supportive network takes time and courage. Novelist Katrin Schumann argues that it’s worth starting to cultivate community early on, even if your instinct or your preference is to work alone. This post first appeared on JaneFriedman.com.
I’ve always found people who make movies to be awe-inspiring—in order to evoke a world and a story on screen, they need to work together with dozens of other professionals, from front-end people like actors and directors, to back-end people like sound editors