by Katrin Schumann

I'm working on a major revision of a novel I wrote some years ago and put away in a drawer. I loved and still love the story, but I think it needs a more compelling central question. Right now, I'd call it a "family saga," and while there's nothing inherently wrong with that, I'd like to create a through-line in the story that makes it more compelling. I want readers to be thinking, Oh my god, what happens next?

By Katrin Schumann

As people mill about Grub's annual conference, The Muse and the Marketplace--eyeing the crowd for famous writers, catching up with old friends, and pitching themselves and their work--and attend sessions, there are a few rooms hidden away where extrememly nervous people trickle in and out, one by one, hour after hour

By Katrin Schumann

It wasn't until I saw the tiny opening that we were supposed to crawl through that I started to panic. I was in Mexico, just about to clamber into a sweat lodge with seven strangers. I frantically scanned their faces to see if anyone else was also realizing that this plan was clearly nutso.

Everyone seemed perfectly calm. 

By Katrin Schumann

I write a lot about writers’ insecurities because for 99.9 percent of us, fear lurks behind the brave faces we put on. Depending on where we are in our careers, we may all be afraid of different types of failures, but these deep-seated anxieties rarely go away completely.

Most artists learn to live with fear—and some learn to use it to drive toward better work. I might even dare to say that if you don’t experience doubt or fear, you should be worried. Overconfidence usually doesn’t serve writers well.

By Katrin Schumann

Media marketing experts agree that maintaining a robust newsletter is one of the best ways for an author to build a core audience--a group of people who will be more interested and committed to you and your work than, say, that stranger lurking on twitter or the random people liking your Instagram shots.