Tips on Getting Those Dreaded 'Blurbs' for Your Book

Asking for endorsements from established writers for your upcoming book can be a cringe-worthy endeavor. Katrin Schumann looks at how to do it right.

 

 

Does it influence you when a writer you admire endorses a book you're considering buying? For most readers, seeing killer blurbs from known names can make the difference. 

Katrin Schumann

Books & Reading The Writing Life

First Time Authors Share Seven Things that Surprised Them After Selling Their Books

The traditional publishing process can be full of surprises for a first-time author. Here's what a few writers publishing in 2019 have learned since signing on the dotted line.

 

We make all sorts of assumptions about what it will be like to actually become published authors for the first time

Katrin Schumann

Books & Reading Community Grub News The Writing Life

Dealing with Copyedits: Just How Bad is the Past Perfect?

The final stages before book publication involve copyediting (and then proofreading). It's your last chance to make changes before your writing goes public. What can you do at this stage to assure your book stays true to your unique vision and style?

Every soon-to-be published writer is nervous and excited about copyedits. Will they require rewriting of beloved text

Katrin Schumann

Craft Advice The Writing Life

Everything Novel: Author of Red Clocks Leni Zumas Talks Craft

This month of DeadDarlings, Novel Incubator alum and author Rachel Barenbaum interviewed Leni Zumas about her new novel, Red Clocks (Little, Brown, 2018). Leni Zumas is also the author of Farewell Navigator: Stories (Open City, 2008) and the novel The Listeners (Tin House, 2012), which was a finalist for the Oregon Book Award. Leni lives in Portland, Oregon, where she is an associate professor in the MFA and BFA programs at Portland State University.

The Editors at Dead Darlings

Craft Advice

Getting to Grips with a Big Revision of Your Novel

by Katrin Schumann

I'm working on a major revision of a novel I wrote some years ago and put away in a drawer. I loved and still love the story, but I think it needs a more compelling central question. Right now, I'd call it a "family saga," and while there's nothing inherently wrong with that, I'd like to create a through-line in the story that makes it more compelling. I want readers to be thinking, Oh my god, what happens next?

Katrin Schumann

Books & Reading Craft Advice