What's launching your book really like?
By Katrin Schumann
Your first event is with a panel of authors in front of a crowd of 200 people. You buy new lipstick and pray your voice doesn’t quiver.
The alarm rings at 5am. The Uber doesn’t turn up. On the road late!
Within three days of your book launch, you catch a cold and lose your voice. It's so bad that you have to postpone your big radio interview.
Ahh, April. The birds are singing, flowers are blooming, and new short classes are springing up at GrubStreet. Take a look at some of this month's exciting offerings:
April 8th, 12th & 13th
“Poetry is to prose,” wrote Paul Valery, “as dancing is to walking,” and in this post Ben Berman previews his upcoming Muse and the Marketplace session on what kind of dance moves prose writers can learn from poets.
A couple of summers ago, I decided to take a break from writing poetry in order to try my hand at penning a screenplay.
When we think about launching our books, we dream of doing readings (among other things like catching sight of our books in airports, and, of course, getting on bestseller lists), but in this day and age why are readings still so important to us?
By Katrin Schumann
For a new author, are readings really all they're cracked up to be?
When writing the fiction of violence, Katrin Schumann finds that there are no easy answers about how to get it right. This article first appeared in CrimeReads.
Years ago in a writing workshop in San Francisco, a lanky middle-aged student sitting next to me held his pages in trembling fingers. He began to read aloud a story about a body found in the trunk of a car. As he read, we all listened attentively, drawn in at first by the obvious questions: who was this woman and what had happened to her? We were trying to learn to become better writers