The final stages before book publication involve copyediting (and then proofreading). It's your last chance to make changes before your writing goes public. What can you do at this stage to assure your book stays true to your unique vision and style?
Every soon-to-be published writer is nervous and excited about copyedits. Will they require rewriting of beloved text
This month of DeadDarlings, Novel Incubator alum and author Rachel Barenbaum interviewed Leni Zumas about her new novel, Red Clocks (Little, Brown, 2018). Leni Zumas is also the author of Farewell Navigator: Stories (Open City, 2008) and the novel The Listeners (Tin House, 2012), which was a finalist for the Oregon Book Award. Leni lives in Portland, Oregon, where she is an associate professor in the MFA and BFA programs at Portland State University.
Sharissa Jones exceeds 144 characters to examines sentences that work in Jumping the Cut: Writing Transitional Scenes in the Netflix and Twitter
Belle Brett shares her preflight checklist for marketing her novel Six Months until Publication: Tentative Tips from a Debut Novelist.
Looking for Ten Tips for Losing a Hundred Pages? Emily Ross has ...
by Katrin Schumann
I'm working on a major revision of a novel I wrote some years ago and put away in a drawer. I loved and still love the story, but I think it needs a more compelling central question. Right now, I'd call it a "family saga," and while there's nothing inherently wrong with that, I'd like to create a through-line in the story that makes it more compelling. I want readers to be thinking, Oh my god, what happens next?
There's a distinctly rebellious air about the Muse and the Marketplace Conference this year. Come April 6-8 at Boston's Park Plaza, #Muse18 presenters will be letting loose on the writing rules that have held our manuscripts hostage for far too long. To kick off the conversation ahead of the Muse weekend, this year's Muse series explores the writing, publishing, and workshop rules, conventions, and accepted norms that authors, agents, and editors at the Muse love to hate—and why they'd love to see them broken. Some presenters will also offer their own rules or conventions that ...