GrubStreet Instructor, Ben Berman, discusses how we must learn to shift between different mindsets throughout the writing process.
My five-year-old is obsessed with Kung Fu Panda – though the scratches all over my neck are not from her best impersonation of Tigress but because every time we try to watch the movie she gets so scared that she clutches onto me for dear life.
May 8, 2019 | Ben Berman
Short Story Incubator instructor, Ron MacLean, shares his thoughts on use of narrative distance in fiction. Ready to take your short fiction to the next level? Join us on Wednesday, May 29th, 6:00-7:30pm for an informal Q&A session on our Short Story Incubator program. Instructor Ron MacLean will be there to answer any questions you have about the Short Story Incubator program. We'll give you all the information you need to know about the application process, what the program entails, the schedule, the philosophy behind our approach, and anything else on your mind.
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April 26, 2019 | Ron MacLean
“Poetry is to prose,” wrote Paul Valery, “as dancing is to walking,” and in this post Ben Berman previews his upcoming Muse and the Marketplace session on what kind of dance moves prose writers can learn from poets.
A couple of summers ago, I decided to take a break from writing poetry in order to try my hand at penning a screenplay.
March 13, 2019 | Ben Berman
The Memoir Incubator is an MFA-level course, spanning 12 months, for ten memoir writers interested in drafting, developing or revising their memoir drafts, a comprehensive craft-based study of the memoir form, and, as appropriate, a thoughtful introduction to the memoir publishing market. We are now accepting applications for the next phase of the Memoir Incubator, 2021 - 2022
February 14, 2019 | Catherine Guthrie
When writing the fiction of violence, Katrin Schumann finds that there are no easy answers about how to get it right. This article first appeared in CrimeReads.
Years ago in a writing workshop in San Francisco, a lanky middle-aged student sitting next to me held his pages in trembling fingers. He began to read aloud a story about a body found in the trunk of a car. As he read, we all listened attentively, drawn in at first by the obvious questions: who was this woman and what had happened to her? We were trying to learn to become better writers