In this post, GrubStreet instructor Ben Berman discusses how learning to think flexibly can help us be more creative.
Flexible thinking refers to our ability to shift or reframe how we are thinking about an idea.
When psychologists measure one’s aptitude for creativity, they often focus on this aspect of thinking. How many uses can you find for a brick? they ask, before grading the responses based on fluency, originality, flexibility and elaboration.
August 14, 2019 | Ben Berman
By Katrin Schumann
Last year, I was thinking a lot about this question as it relates to writing: When is it okay to give in and give up?
Why? Because in the months before publishers began showing interest in my novel, The Forgotten Hours, I had seriously been considering changing careers and giving up writing altogether. This was a huge deal for me since I basically can’t do anything else (at least not well, and with enthusiasm).
June 5, 2019 | Katrin Schumann
Short Story Incubator instructor, Ron MacLean, shares his thoughts on use of narrative distance in fiction. Ready to take your short fiction to the next level? Join us on Wednesday, May 29th, 6:00-7:30pm for an informal Q&A session on our Short Story Incubator program. Instructor Ron MacLean will be there to answer any questions you have about the Short Story Incubator program. We'll give you all the information you need to know about the application process, what the program entails, the schedule, the philosophy behind our approach, and anything else on your mind.
One of ...
April 26, 2019 | Ron MacLean
The Memoir Incubator is an MFA-level course, spanning 12 months, for ten memoir writers interested in drafting, developing or revising their memoir drafts, a comprehensive craft-based study of the memoir form, and, as appropriate, a thoughtful introduction to the memoir publishing market. We are now accepting applications for the next phase of the Memoir Incubator, 2021 - 2022
February 14, 2019 | Catherine Guthrie
We've all had that moment as readers when we stumble across a sentence in a novel or essay that sings to us from the page. There are sentences we want to wrap our tongues around, that we speak aloud just to revel in their aural qualities. For each installment of this series, Henriette Lazaridis chooses a single sentence from a work of literature and shows us why it is music to our ears.