Sharissa Jones exceeds 144 characters to examines sentences that work in Jumping the Cut: Writing Transitional Scenes in the Netflix and Twitter
Belle Brett shares her preflight checklist for marketing her novel Six Months until Publication: Tentative Tips from a Debut Novelist.
Looking for Ten Tips for Losing a Hundred Pages? Emily Ross has ...
May 16, 2018 | The Editors at Dead Darlings
Make your characters want something right away, wrote Vonnegut, even if it’s only a glass of water.
And as soon as we pick my four-year-old up from pre-school and strap her into her car seat, she tells us that she wants some water.
But a narrative, at its most basic level, is driven by the relationship between what a character wants and the obstacles in their way, and it just so happens that my daughter’s water bottle is empty.
May 9, 2018 | Ben Berman
This month, the DeadDarlings team examined what it takes to share your work with the wider world. Here is how to silence your inner critic and put your best pitching foot forward
Overcome Your Fear (or fake courage)
Milo Todd comes clean and shares that No, Your Imposter Syndrome Won't Magically Go Away, but don't let that stop you.
April 19, 2018 | The Editors at Dead Darlings
My daughters were supposed to be getting ready for bed when I walked into their room and found my four-year-old naked, kneeling on all fours with her butt in the air, her older sister slapping her bottom.
What are you doing? I asked.
Playin’ the drums, my older daughter said.
And though part of me was relieved to see my four-year-old finally using her butt for something other than a wind instrument, I immediately stopped the show and escorted her to the shower.
April 11, 2018 | Ben Berman
There's a distinctly rebellious air about the Muse and the Marketplace Conference this year. This weekend at Boston's Park Plaza, #Muse18 presenters will be letting loose on the writing rules that have held our manuscripts hostage for far too long. To kick off the conversation ahead of the Muse weekend, this year's Muse series explores the writing, publishing, and workshop rules, conventions, and accepted norms that authors, agents, and editors at the Muse love to hate—and why they'd love to see them broken. Some presenters will also offer their own rules or conventions that they ...