Sharissa Jones exceeds 144 characters to examines sentences that work in Jumping the Cut: Writing Transitional Scenes in the Netflix and Twitter
Belle Brett shares her preflight checklist for marketing her novel Six Months until Publication: Tentative Tips from a Debut Novelist.
Looking for Ten Tips for Losing a Hundred Pages? Emily Ross has ...
May 16, 2018 | The Editors at Dead Darlings
GrubStreet dreams of a literary future for Boston, one in which all Bostonians have access to the narrative arts. In partnership with Harvard Book Store and Mass Poetry, we have a great chance of securing a bid to create a dynamic, inclusive, and fully accessible Narrative Arts Center in Boston's Seaport, one that showcases, celebrates, and supports writers at all stages and from all backgrounds. In two minutes, you can help us realize that dream. GrubStreet's Founder and Executive Director, Eve Bridburg, explains how.
GrubStreet has been dreaming of building a Narrative Arts Center with partners in ...
May 15, 2018 | Eve Bridburg
It’s been an exciting ride for
May 11, 2018 | A. C. Jones
Make your characters want something right away, wrote Vonnegut, even if it’s only a glass of water.
And as soon as we pick my four-year-old up from pre-school and strap her into her car seat, she tells us that she wants some water.
But a narrative, at its most basic level, is driven by the relationship between what a character wants and the obstacles in their way, and it just so happens that my daughter’s water bottle is empty.
May 9, 2018 | Ben Berman
Guest post by Nadia Colburn, PhD
Nadia is teaching "Poetry as a Contemplative Practice" on May 18th, 10:30-1:30. Click here for more info. Nadia holds a BA from Harvard and a PhD in English from Columbia University