Workshops & Events

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Instructor: Include Finished and In-Progress Classes

65.0050.00yesSp13-SEM-12181294781220

Making Images


Thursday, May 30th, 6:30-9:30pm at Grub Street headquarters.

What makes an image fresh, vivid, astonishing, memorable? What makes an image at all? In the first half of this seminar we'll take a hard look at some surprising and dazzling images in poetry and fiction to articulate a working definition of the image, to observe the choices involved in the making of great images, and to develop a list of image-driven strategies. In the seminar's second half we'll perform some exercises to practice and implement these strategies, and to rethink how we construct images in our own work. Participants are expected to bring an image that they would like to revise, which they'll work on and have the opportunity to share at the seminar's end.

Instructor: Scott Challener
Scott Challener Scott Challener teaches writing in Boston University’s Writing Program and Metropolitan College and Northeastern University’s College of Professional Studies, and volunteers for 826 Boston. He holds an MFA in Poetry from Warren Wilson College’s MFA Program for Writers. His work has appeared in Gulf Coast, Narrative Magazine, The Rumpus, Mississippi Review, and elsewhere. His reviews of five past National Book Award winners appeared recently on the National Book Awards Foundation website. He lives in the Fort Point Channel area of South Boston.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: 12 students

There are 8 seats remaining in this class.
register as a member $50.00 register as a non-member $65.00

Not a member? Become a Grubbie today!

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, June 4th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, June 11th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, June 18th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

115.0095.00yesSp13-1DAY-64111321046820

Writing a Hypertext


Saturday, June 22nd, 10:00am-5:00pm at Grub Street headquarters.

Are writers doing enough to take advantage of the ways people read now? Our attention spans are short, we read online, we keep multiple tabs open all the time, we Google or Wikipedia things we don't know, and we like to click from one thing to the next. Enter into these reading habits the hypertext, narrative that gives people the freedom to read as they do online. Remember the Choose Your Own Adventure series? Why not create a story in which the reader can follow different paths by clicking on different decisions? Why not a poem in which an idea in one line opens to an entire other poem, and an idea in a line in that poem becomes another poem after that? Why not an essay like a Google map, where the reader can navigate from one place to the next, get lost or reorient herself, while learning something at each location that lets her see the bigger picture? In this 6-hour course, we will let our writing (and our readers) go wherever it wants. And then we will look at how to organize it so that we can create pathways from one piece to the next. We will each create one work of hypertext in this class, and we'll discuss how to bring that work online, via various new media.

Instructor: Matthew Salesses
Matthew Salesses Matthew Salesses is the author of I'm Not Saying, I'm Just Saying (Civil Coping Mechanisms, Feb 2013), The Last Repatriate (Nouvella), and the chapbooks, Our Island of Epidemics (PANK) and We Will Take What We Can Get (Publishing Genius). His fiction has appeared in Glimmer Train, Witness, American Short Fiction, The Literary Review, West Branch, and over fifty other journals and anthologies. He is the recipient of awards and fellowships from Glimmer Train, Mid-American Review, HTMLGIANT, the Bread Loaf Writers' Conference, Emerson College, the University of New Orleans, and IMPAC. Currently, he serves as the Fiction Editor and a Contributing Writer for the Good Men Project. On the web, he is matthewsalesses.com and @salesses.

Level: For Everyone info icon
Type: 6-Hour Intensive Class
Max Capacity: 12 students

There are 11 seats remaining in this class.
register as a member $95.00 register as a non-member $115.00

Not a member? Become a Grubbie today!

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, June 25th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

305.00280.00yesSu13-DAY-6-1691321046820

6 Weeks, 6 Poems


6 Wednesdays from 10:30am-1:30pm at Grub Street headquarters. Begins June 26th.

Whether you're looking to experiment, produce new works for a collection, or work on revisions, this workshop offers the opportunity to broaden and deepen your knowledge of poetry. Each week, you will study the craft and vision of contemporary poets and write your own poems to be workshopped the following week. This class will allow you to break old habits, play with unconventional forms, and, most importantly, leave the course with both fresh and revised drafts of many poems.

Instructor: Scott Challener
Scott Challener Scott Challener teaches writing in Boston University’s Writing Program and Metropolitan College and Northeastern University’s College of Professional Studies, and volunteers for 826 Boston. He holds an MFA in Poetry from Warren Wilson College’s MFA Program for Writers. His work has appeared in Gulf Coast, Narrative Magazine, The Rumpus, Mississippi Review, and elsewhere. His reviews of five past National Book Award winners appeared recently on the National Book Awards Foundation website. He lives in the Fort Point Channel area of South Boston.

Level: For Everyone info icon
Type: Multi-Week Workshop (Daytime)
Max Capacity: 12 students

455.00430.00yesSu13-EVE-10-1121321046820

10 Weeks, 10 Poems


10 Sundays from 6:30-9:30pm at Grub Street headquarters. Begins June 30th.

Whether you're looking to experiment, produce new works for a collection, or work on revisions, this workshop offers the opportunity to broaden and deepen your knowledge of poetry. Each week you will read the work of published writers and also offer your own poems to the class for weekly critique. This class will allow you to break old habits, broaden and expand your knowledge of poetry, and, most importantly, leave the course with both fresh and revised drafts of your work.

Instructor: Elisabeth Houston
Elisabeth Houston Elisabeth Houston received her bachelors degree from Yale and graduated from Boston University’s MFA program in Poetry where she studied with former US Poet Laureates Robert Pinsky and Louise Gluck. She is the recipient of a Cave Canem fellowship. Elisabeth currently teaches poetry at Boston University, and she works at Transition magazine. She also teaches creative writing through The Poem Project, an initiative which works with women who are incarcerated in a prison outside of Boston.

Level: For Everyone info icon
Type: Multi-Week Workshop (Evening)
Max Capacity: 12 students

There are 12 seats remaining in this class.
register as a member $430.00 register as a non-member $455.00

Not a member? Become a Grubbie today!

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, July 2nd, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, July 9th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

345.00320.00noSu13-MAS-6-2491321046820

Master Poetry


6 Thursdays from 6:00-9:00pm at Grub Street headquarters. Begins July 11th.

This workshop is for poets ready for deeper investigations into their own poetry and willing to take risks and engage in serious revision. In a group limited to nine serious poets, we will develop our understanding of how a poem works, looking at image, diction and form in a range of contemporary poets and applying what we learn to our own poems. We will also discuss placement of poems in journals and meet with an editor of a local literary journal. This class is by submission only and previous workshop experience is essential. We request that 2-3 students volunteer to bring in a new poem for workshopping on the first day. The class cost is $345 for non-members, $320 for members.

Apply via the form below or through this link by 12:00pm on Wednesday, June 26th.  You will hear from the reading committee by Monday, July 1st.

Instructor: Allison Adair
Allison Adair Allison Adair has taught poetry workshops and literature seminars at Boston University and the University of Iowa, where she held a Writers' Workshop Teaching-Writing Fellowship. She has written for curricular guides, academic texts, and the Massachusetts Long Road to Justice exhibit, and she served on the editorial board of The Iowa Review. A joint fellowship from Brown University and the Rhode Island School of Design allowed her to study painting and poetry in Dublin, Galway, and Belfast, and she was a finalist in the Davoren Hanna Poetry Competition. In 2007 she participated in the National Braille Association's Twice Seen photography exhibit with "Air Show." Other original poems, as well as translations of French and Italian poets, have appeared in various publications, including Emic, The Boston Globe, and Chris Castellani's The Saint of Lost Things. Allison holds an MFA in Poetry from the Iowa Writers' Workshop.

Level: Master info icon
Type: Multi-Week Workshop (Evening)
Max Capacity: 9 students

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, July 16th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, July 23rd, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

11595yesSu13-1DAY-52121321046820

Writing a Hypertext


Saturday, July 27th, 10:30am-5:30pm at Grub Street headquarters.

Are writers doing enough to take advantage of the ways people read now? Our attention spans are short, we read online, we keep multiple tabs open all the time, we Google or Wikipedia things we don't know, and we like to click from one thing to the next. Enter into these reading habits the hypertext, narrative that gives people the freedom to read as they do online. Remember the Choose Your Own Adventure series? Why not create a story in which the reader can follow different paths by clicking on different decisions? Why not a poem in which an idea in one line opens to an entire other poem, and an idea in a line in that poem becomes another poem after that? Why not an essay like a Google map, where the reader can navigate from one place to the next, get lost or reorient herself, while learning something at each location that lets her see the bigger picture? In this 6-hour course, we will let our writing (and our readers) go wherever it wants. And then we will look at how to organize it so that we can create pathways from one piece to the next. We will each create one work of hypertext in this class, and we'll discuss how to bring that work online, via various new media.

Instructor: Matthew Salesses
Matthew Salesses Matthew Salesses is the author of I'm Not Saying, I'm Just Saying (Civil Coping Mechanisms, Feb 2013), The Last Repatriate (Nouvella), and the chapbooks, Our Island of Epidemics (PANK) and We Will Take What We Can Get (Publishing Genius). His fiction has appeared in Glimmer Train, Witness, American Short Fiction, The Literary Review, West Branch, and over fifty other journals and anthologies. He is the recipient of awards and fellowships from Glimmer Train, Mid-American Review, HTMLGIANT, the Bread Loaf Writers' Conference, Emerson College, the University of New Orleans, and IMPAC. Currently, he serves as the Fiction Editor and a Contributing Writer for the Good Men Project. On the web, he is matthewsalesses.com and @salesses.

Level: For Everyone info icon
Type: 6-Hour Intensive Class
Max Capacity: 12 students

There are 12 seats remaining in this class.
register as a member $95 register as a non-member $115

Not a member? Become a Grubbie today!

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, July 30th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

65.0050.00yesSu13-SEM-88121294781220

Jumpstart Your Poetry


Friday, August 2nd, 10:30am-1:30pm at Grub Street headquarters.

It's all too easy to fall into patterns in our writing. We find ourselves writing not only about the same subjects, but with the same style, using similar word choice, syntax and diction from poem to poem. In this workshop, we will do several free-writing exercises and explore how these free-writes can expand our choices in both new work and our efforts at revision. This is especially fun to do in a group, where the language each of us puts in the air helps fuel us all.

Instructor: Ben Berman
Ben Berman Ben Berman has been teaching writing to teenagers and adults for many years, and currently teaches creative writing classes at Brookline High School. He has received numerous honors from the New England Poetry Club and fellowships from the Massachusetts Cultural Council and Somerville Arts Council. His book of poems, Strange Borderlands, is forthcoming soon.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: 12 students

There are 12 seats remaining in this class.
register as a member $50.00 register as a non-member $65.00

Not a member? Become a Grubbie today!

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, August 6th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

00no61321049040

"Boosts" for Your Writing Project or Career


Tuesday, August 13th, 1:30-4:30pm at Grub Street headquarters.

In most workshops, instructors tend to focus on constructive criticism rather than constructive praise. Instructors do this mostly in the interest of time, and because constructive criticism is often easier to illustrate with examples or to compare with texts that are "working better." But these 1-on-1 Boost consultations work in a different way, focusing instead on what you are doing well. Choose from a 30-minute boost for $37.50 or a 60-minute boost for $75. You don't need to email any work in advance. All pages are looked at within the Boost session itself. If you're unable to meet in person, Boosts are available via a phone call or Skype session as well.To proceed, fill out the following form and Grub Street will follow up with you about payment and scheduling.

30-Minute Short Story/Nonfiction Boost (For a Short Piece of up to 3000 words)
In this consultation, the instructor will start by reading and reviewing one of your stories (or part of a story) that has already been workshopped and spend time discussing the strengths of the piece and, more importantly, why they are strengths. Not only will this bring you confidence, but it will also help you understand your strengths and how you might use them to best effect. If appropriate, you will also receive personally tailored tasks that seek to bring you confidence in areas where you need it. Short Fiction or Non-Fiction Boosts can be booked one at a time, or as a string of ongoing consultations.

60-Minute Book-Length Boost (For an Ongoing Novel, Novella or Book-Length Manuscript)
In this consultation, the instructor will look at an overview or outline of your project, along with an excerpt/excerpts from your manuscript in progress. The focus will be on your strengths so far and why they are strengths. Your instructor will also examine how you might best make use your talents in the rest of your project. Time will be taken to study any feedback that you received in class and put it to use in positive ways. Book-Length Boosts can also involve mini-tasks that will help you to work on your skills in a precise way, with the promise of motivational feedback. These Boosts can be booked one at a time, or as a string of ongoing consultations.

30- or 60-Minute Writing Career Boost
All writers deal with rejection. In fact, it is part and parcel of a successful writing career. But when it comes to getting published, it is all too easy to grind to a halt in the face of ongoing rejection slips. Yet submission is how we move forward, and as Pamela Painter advises, it can help to “keep hope in the mail.” In this Boost, you will discuss your career and/or aspirations with an instructor who has been an editor at a literary magazine and is a Senior Editor at an indie press. Not only will you discuss ways of dealing with ongoing rejection while continuing to write more rather than less, but you will also consider alternative ways of showcasing your work and receiving meaningful feedback as you move forward. This Boost can also involve a review of your cover letter and advice on researching markets/venues for your work.

Instructor: Sue Williams
Sue Williams Sue Williams is published in over thirty books and magazines, including Narrative, Night Train, Greatest Uncommon Denominator, Smokelong Quarterly, Salamander, Gargoyle, and Hint Fiction: a Norton Anthology. She has garnered several literary awards, including first place in the 2009 Carolyn A. Clark Flash Fiction Prize and the Glimmer Train Best Start Award. She has worked as an Assistant Editor at Narrative Magazine and is a writing instructor at Grub Street in Boston. Sue can be found online at www.suewilliams.co.uk.

Level: For Everyone info icon
Type: 3-Hour Seminar
Max Capacity: Any interested students

11595yesSu13-1DAY-85121321046820

Telling Stories in Verse: An Intro to Narrative Poetry and Verse Novels


Friday, August 16th, 10:00am-5:00pm at Grub Street headquarters.

This intensive introduces the craft of narrative poetry and verse novels. First we’ll consider narrative poetry—poems that tell a story. We’ll look at structural devices, tension-building techniques, and passage of time in sample narrative poems. Next we’ll consider verse novels—the what, the why, and the how—and examine the use of poetry tools in contemporary novel-length narrative verse. Bring writing implements or a laptop/iPad. Participants will draft a narrative poem or a scene in verse for sharing during the intensive.

Instructor: Holly Thompson
Holly Thompson Holly Thompson (www.hatbooks.com) is the author of two young adult novels in verse: The Language Inside and Orchards, winner of the APALA Asian/Pacific American Award for Literature, both published by Delacorte/Random House. She is also author of the adult novel Ash and the picture book The Wakame Gatherers. Raised in Massachusetts but a longtime resident of Japan, she recently edited Tomo: Friendship Through Fiction—An Anthology of Japan Teen Stories. A graduate of the N.Y.U. Creative Writing Program, she writes poetry and fiction for children, teens and adults, serves as regional advisor for the Japan chapter of SCBWI, and teaches creative writing and literature at Yokohama City University.

Level: For Everyone info icon
Type: 6-Hour Intensive Class
Max Capacity: 12 students

There are 12 seats remaining in this class.
register as a member $95 register as a non-member $115

Not a member? Become a Grubbie today!